Creag Tunes

50 Ways to Leave Your Lover

by Paul Simon

released on the album Still Crazy After All These Years in

Music and Lyrics by Paul Simon

Produced by Paul Simon & Phil Ramone

Bass played by Tony Levin

Transcription and Engraving by Peter Crighton

Published on

Transcription and Engraving by Peter Crighton

Published on

Annotations

Recorded at a pitch of 436 Hz.

The seventh chord of the verse is a tricky one. The main guitar voicing is F♯–G–B–A (which is the previous D♯dim7 shifted upwards by a minor third, but with the two middle notes replaced with open strings), and the vocal melody is mainly F♯, but jumps quickly from a G and to an E. Emadd11/F♯ seems most correct, unwieldy though it is.

m. 19 This is the only time the D is followed by a slide, leading me to believe that he played it with an open string the other times.

m. 87 There is a very faint G from the bass, although the note is stopped already two measures earlier. They must have cut to another take for the drum outro, where the band had held the last note longer, which you can still hear the remnants of.

Annotations

Recorded at a pitch of 436 Hz.

The seventh chord of the verse is a tricky one. The main guitar voicing is F♯–G–B–A (which is the previous D♯dim7 shifted upwards by a minor third, but with the two middle notes replaced with open strings), and the vocal melody is mainly F♯, but jumps quickly from a G and to an E. Emadd11/F♯ seems most correct, unwieldy though it is.

Additional resources

Preview image for Paul Simon – 50 Ways to Leave Your Lover: Chords